Synopsis

Grégoire Moulin versus Humanity
Grégoire Moulin contre l'humanité
de/by Artus de Penguern

France - 2001 -
Comédie/Comedy - 90 mn - V.O sous-titrée anglais/French with English subtitles.

Réalisateur/Director: Artus de Penguern
Scén./Script: Artus de Penguern, Jérôme L'Hotsky
Avec/With: Artus de Penguern, Pascale Arbillot, Elisabeth Vitali, Antoine Duléry, Serge Riaboukine, Didier Benureau, François Berland, Marie-Armelle Deguy
Photo/Cinematography by: Vincent Mathias
Mus. : Benoît Pimont
Prod. : Cyril Colbeau-Justin
Société Prod./Prod.co: LGM
Copro. : M6 Films, Rhône-Alpes Cinéma, SFP Cinéma, Sparkling
Ventes à l'étranger /World sales: Mercure Distribution
Prix /Awards:
Nominé au César 2002 de la Meilleure première oeuvre de fiction/ Nominated for Best New Fiction in the 2002 César Awards.

Jubilantly hilarious and inventive, Gregoire Moulin Versus Humanity centres on a series of misadventures. Here's a film to make you feel better about yourself!

The life of hapless, shy, short, cleft-chinned Gregoire has been riddled with stress. It all starting soon after his birth at the Franz Kafka Clinic, when his parents met their joint demise arguing over their son's future profession.

Raised in the suburbs by unsympathetic relatives, Gregoire is in his 30s when he finally makes it to Paris. He takes on a job at an insurance office, which has a view of a ballet studio. He silently falls for lithe, bookish Odile (Pascale Arbillot) who teaches dance and is as sweetly adrift from the assertive mainstream as he is.

Unable to work up the nerve to introduce himself, he steals her wallet in a restaurant, then telephones her to return it, pretending to be a disinterested stranger. But - due to some hilarious interlocking misunderstandings and hiccups - their rendezvous is thwarted a dozen times over...

Unfailingly polite and earnest, Gregoire suffers the brunt of every prank, sometimes simply because he's not interested in soccer! Who else would attempt to return a wallet on the night of a decisive, 'all-France-is-watching' soccer match.

The director, co-writer and star Artus De Penguern (who had a small role in Amelie as Hipolyte, the mopey, unpublished writer) has graduated from widely-acclaimed short films to the feature arena with this gut-wrenchingly mordant comedy.  His brand of deadpan humour immediately reminds one of Buster Keaton.

Few film-makers could conjure a plausible excuse for Mahatma Gandhi and Darth Vader to watch TV together! This innovative and unpredictable comedy recalls the humour and dark turns of Spike Jonze's Being John Malkovich.

Le malchanceux et toujours célibataire Grégoire, anxieux et inhibé au dernier degré, n'ose pas aborder la belle Odile. Usant d'un subterfuge inavouable, il arrange un rendez-vous au café Le Penalty. Hélas, sa maladresse et le peu d'amabilité du Parisien moyen vont transformer ce simple rendez-vous en une cauchemardesque course-poursuite...

Réalisateur

Artus de Penguern

French director, screenwriter, actor and composer

Born March 13th, 1957, near Paris. Artus de Penguern is known for writing and performing one-man comedy shows. He began his career working alongside talented actors such as Laurence Badie, Jean Rougerie and Sabine Paturel (Prends ton passe-montagne, on va à la plage, 1982). He acted in films for directors as diverse as Maurice Pialat (Police) and Philip Kaufman (Henry & June, 1990) and has also appeared in more mainstream comedies (Lévy & Goliath, 1986).
Despite his increasing number of screen appearances, he prefers to concentrate on screenwriting and directing. After a few short films touching on burlesque and black humour (Le homard, Un bel après-midi d'été), he directed his first feature film: Grégoire Moulin versus Humanity.

Réalisateur, Acteur, Compositeur, Scénariste français

Né le 13 mars 1957 à Neuilly-sur-Seine, Artus de Penguern est écrivain, scénariste, auteur et interprète de one man shows et comédien. Il a débuté aux côtés d'acteurs aussi talentueux que Laurence Badie, Jean Rougerie et Sabine Paturel (Prends ton passe-montagne, on va à la plage, 1982). C'est ainsi qu'on le retrouvera aussi bien chez Maurice Pialat (Police) et Philip Kaufman (Henry & June, 1990) que dans des comédies beaucoup plus grand public (Lévy et Goliath, 1986).
Tout en multipliant ses apparitions, il s'investit dans l'écriture et la réalisation de films. Après plusieurs courts-métrages, louchant vers le burlesque et l'humour noir (Le homard, Un bel après-midi d'été), il réalise en 2001 son premier long métrage, Grégoire Moulin contre l'humanité.

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